Welcome back to the conclusion of my list of the Top 15 Comic Book Series of 2011!  Click here for part one.  (And click here for my list of the Top 15 Movies of 2011: part one, part two, and part three.)

5.  Moon Knight – I really enjoyed Brian Michael Bendis’ years-long run on Daredevil with Alex Maleev, and their relaunch of Moon Knight has been pretty terrific so far.  I love the new conceit that the slightly unhinged Marc Spector is now hearing the voices of Spider-Man, Captain America, and Wolverine in his head.  The result is some great comedy as the three super-heroes banter back and forth in Moon Knight’s head.  (Comic banter is a Bendis specialty!)  Seeing Echo back in a lead role is just icing on the cake.  I never thought Moon Knight could be at all interesting, but I guess the character was just the right sort of tabula rasa for an exciting reinvention.  I hope this is the start of a long run for Mr. Bendis and Mr. Maleev on the character.

4.  RASL – I wish Jeff Smith’s sci-fi opus would come out a little more frequently, but I can’t really fault creator/writer/artist/self-publisher Smith, seeing as how he’s pretty much doing everything himself on this comic.  It’s just that the series is so good!  I want more!!  This adventure/love story is just grounded enough in real scientific theories to anchor all of the fun flights of fancy involving parallel universes, lizard-men, and weird-looking little girls.  Jeff Smith’s art is perfection — with a cartoony stylization that is endearing, but also an extraordinary amount of detail to give all of the settings and characters a distinct, “real world” feel.  It feels like things are really starting to come together with the story, which is very exciting.  The wait between issues is BRUTAL!!  If you’re a comic book fan but you’re not reading this self-published gem, do yourself a favor and remedy that immediately.

3.  Criminal: The Last of the Innocent – The work that Ed Brubaker and Sean Phillips do together just keeps getting better and better and better.  I love all of their projects, but the crime-comic Criminal has always been my favorite, and The Last of the Innocent might be the very best installment since the first story-line, “Coward.”  In this dark tale, we meet young man Riley Richards, who is married to a beautiful, wealthy woman.  But he’s tremendously unhappy, and when he returns home and reconnects with his old goof-ball friend and the blonde girl-next-door he used to have a crush on, he realizes that he just might have chosen the wrong girl.  Guess he… [continued]

Since the big red guy first appeared in John Byrne’s Next Men #21 back in 1993 (and I am proud to say that I read that issue when it came out!), I have been hooked on Hellboy.  The creation of writer-artist Mike Mignola, Hellboy is, on its simplest level, about a monster who keeps the world safe from all the other monsters.  But there’s so much more to it than that!  To borrow some text from the back of the recent Hellboy Companion, “since 1994, Mike Mignola’s Hellboy has been one of the most evocative comics on the stands, slowly revealing a bizarre world of Victorian occult societies, prehistoric gods, arcane Nazi experiments, and layer upon layer of enigmas.”  Yeah!  Beautifully illustrated, very literate and a heck of a lot of fun, Mignola’s various Hellboy limited series that have been released over the years are some of the best American comic books out there.

For those of you who may have discovered Hellboy through Guillermo del Toro’s two recent films, there are so many great comics out there for you to enjoy.  Seed of Destruction is the first miniseries, and while one can see that Mignola is still feeling things out, this is a great introduction to the world of Hellboy.  The first movie drew a lot of its inspiration from this tale.  But Hellboy really starts to become the Hellboy that I know and love in the next bunch of (superior) stories.  First there’s Wake the Devil, in which a murder in a wax museum leads Hellboy to vampires, Nazis, and possibly the end of the world.  Then there’s The Right Hand of Doom, which is probably my favorite Hellboy collection.  This volume actually contains a ton of terrific short stories (most notably the classic “Pancakes,” about young Hellboy in 1947 eating breakfast), and two tales that are absolutely to the Hellboy saga: “The Right hand of Doom” and “Box Full of Evil,” both of which shed a lot of light on questions of Hellboy’s origin and ultimate destiny (storylines also hinted at in del Toro’s two movies — in particular the scene with the Angel of Death in Hellboy 2).  All that back-story rushes front and center in The Conquerer Worm, which to me is one of Mignola’s masterpieces.  A remnant from the Nazi space program causes trouble in present day, as a space capsule launched back in 1939, containing something very, very bad, makes its return to Earth.  This series also introduces one of the great characters in the Hellboy world, the enigmatic World War II hero Lobster Johnson, whose full story remains untold (although we’ve gotten a LOT more information lately).

Those are, to… [continued]

I always like my super-hero/fantasy flicks to have a touch of melancholy. (Probably why I enjoy Superman Returns so much, as I’ve written about previously on this site.) One of the things I really appreciated about the Lord of the Rings movies, and the original books, was that touch of sadness in how, even in victory, magic was slowly leaving the world.

That’s a theme explored, also to great effect, in Hellboy 2: The Golden Army. The idea of a monster who hunts down and kills other monsters is a not just a great “hook” — it’s also a notion with a great deal of inherent drama and conflict for the story-teller interested in exploring that. Thankfully, director Guillermo del Toro certainly is.

Hellboy 2 tells the story of the fairy-tail Prince Nuada, furious at the way all of the magical creatures have lost their stewardship of the world to mankind, and our pollution and our strip malls and our parking lots. As in the best of adventure tails, this villain isn’t a bwa-ha-ha moustache-twirling bad-guy — he’s a compelling character with a legitimate point of view. This captures the audience’s interest in the story, and also provokes some tough “am I really on the right side?” questions for our hero Hellboy.

As in the first film, the title character is magnificently embodied by Ron Perlman. I really have never seen a comic book character so perfectly captured on the screen as Perlman’s Hellboy. His big red demon-punching, cigar-chomping, cat-loving paranormal investigator is truly a unique creation. Mike Mignola, the creator and writer-illustrator of the Hellboy comics gets a huge amount of credit for that, but it is Perlman who brings the lovable guy to big-screen life.

What else is good about the movie? The fish-man Abe Sapien gets a lot more screen-time than in the first flick, which is great. Selma Blair is terrific as the pyroteknic Liz Sherman — tough and extremely adorable. One of the mainstays of the comic who was absent from the first flick, the gaseous medium Johann Krauss, is introduced here. Of all the characters, his is the most changed from his comic-book counterpart — or, at least, the way I always pictured the character. He’s a lot more aggressive and by-the-book here (in contrast to the impulsive Hellboy). But, despite those changes, I really loved the character in the film. The “clickety-clack” constant motion of his costume (a sort of hazmat-looking containment suit for his ghostly form) really brings the character to life, as does the bizarre voice given him by Seth MacFarlane (whose vocal stylings you might recognize from almost every character on Family Guy).

And the… [continued]

May 27th, 2008

I love comic books. And that means that I grew up with a great love of super-hero stories. These days its true that many of my favorite comic books have little to do with super-heroes (looking through my “to-read” pile I see titles like David Lapham’s Young Liars, Stephen King’s The Dark Tower adaptation, Jeff Smith’s new boot RASL, Mike Mignola’s BPRD and Abe Sapien, Ed Brubaker’s Criminal, Brian Azzarello & Eduardo Risso’s 100 Bullets, to name just a few.) But there is still something about a great super-hero yarn that really excites me. (For instance, I’ve been reading and throughly enjoying Ed Brubaker’s run on Daredevil, Brian Michael Bendis’ work on Avengers and Secret Invasion, and Joss Whedon’s Astonishing X-Men.)

That love of a good super-hero tale extends to movies. While working on these new Iron Man cartoons, and thinking about the movies still ahead this summer (Hellboy II, The Dark Knight, and The Incredible Hulk), I’ve been thinking about what makes a great super-hero movie.

Here are my five favorite super-hero movies of all time:

5. Unbreakable — Back when I loved M. Night Shyamalan, he made this fantastic little tale about a man (Bruce Willis) who discovers that he cannot be injured. There are no costumes, no witticisms, none of the silly trappings that have come to be associated with super-heroes and super-hero movies. Just a compelling story with some terrific under-played acting from a great cast (Bruce Willis has never been better than he is here as the sad, empty man who discovers that he is different), and some really interesting scene composition, shot set-ups, and editing choices from director Shyamalan.

4. Hellboy — Adapted from a series of mini-series written and gorgeously illustrated by Mike Mignola, Hellboy follows the adventures of a paranormal investigator who is actually a demon from Hell himself. Who loves pancakes. The comic is a wonderfully bizarre, textured mix of fairy tales, folklore and some good old-fashioned monster-fighting action. The film, directed by Guillermo Del Toro (Pan’s Labyrinth, and the man tapped to direct the upcoming two films based on The Hobbit) is a remarkable realization of Mignola’s comic. The splendid, consistently under-rated Ron Perlman is brilliant as Hellboy, bringing enormous depth and warmth to the character despite all the red rubber makeup.

3. Spider-Man 2 — Like Hellboy, Spider-Man 2 is another film whose greatest strength is the way it is able to distill the essence of a beloved (albeit much more widely-known) comic book character into a compelling film all its own. Tobey Maguire was born to play the stiff, dorky Peter Parker who one day discovers that… [continued]