My Best of 2011 lists roll on!  Here are the links to my Top 15 Movies of 2011 — part one, part two, and part three.  Now on to my Top 15 Comic Book Series of 2011!

15.  John Byrne’s Next Men – When Mr. Byrne’s Next Men series was originally released back in the 90′s, it was one of my very favorite comic book series.  Mr. Byrne’s illustration skills were at their peak, and the story was just “mature audiences” enough to peak my teenaged interest.  I was also very, very taken by the fiendishly clever circular narrative.  I was disappointed when the series ended, particularly since it was only supposed to have gone on hiatus for a few months, BUT I thought that, if it had to end, Mr. Byrne had wrapped things up beautifully.  I never imagined the series would ever return to the comic book stands, but lo and behold, IDW brought the series back for a nine issue run this year.  There were moments when the relaunch approached the greatness I had remembered (I enjoyed the twisted revelations about Bethany in issue 4), but for the most part, I wasn’t quite sure the point of this new story.  It sort of muddled the perfect ending of the series, without really enhancing what had gone before.  Ultimately, I didn’t quite understand the new time-travel machinations, and so was left a bit underwhelmed.  Still, new issues of John Byrne’s Next Men!! How cool is that??

14.  Ultimate Spider-Man – I hated the whole Death of Peter Parker story-line, but I am very much enjoying the initial issues with the new Spidey.  The focus on this young kid and his classmates reminds me very much — without being derivative — of what attracted me so much to this series when it began, over a decade ago (wow).  Ultimate Spidey has been one of the most consistently enjoyable comic book series I have followed ever since it began.  Attentive readers will note it has slipped down in the rankings of my end-of-the-year list in the past few years, but it’s still on here as one of the stronger serialized super-hero comic books out there.  And god bless Mr. Bendis and his various artistic collaborators (including the very, very talented Sara Pichelli) for their consistency in getting this book out on a regular basis, month after month, year after year!

13.  Kick Ass 2 – Mark Millar and John Romita’s sequel is just as gloriously profane and juvenile as the original.  Taking the concept of “escalation” (an idea explored in many comic books and also in Christopher Nolan’s The Dark Knight film) to the extreme, the existence… [continued]

I was really disappointed by this summer’s Green Lantern.  I had high hopes for the epic space adventure promised by the trailers, but what we got instead was a lame, Earth-bound mess.  (Read my full review here.)

I wondered if the “Extended Cut” of the film released on DVD and blu-ray would address any of my criticisms of the film.  Sometimes I find that extended versions of films can really flesh out the stories and characters in a way that alters my opinion of a film that I had previously disliked.  Sadly, that is not the case here.

Basically, the only change made to Green Lantern in this new, longer version is an extended flashback, set at the beginning of the film, in which we get to see Hal, Carol, and Hector as kids, and we witness firsthand the death of Hal’s test-fighter pilot.  It’s a great sequence, and never should have been excised from the film.  It’s a much more coherent way of presenting this important back-story than the laughably ridiculous Airplane!-style stress-induced flashbacks that Hal gets, in the theatrical version, when trying to out-maneuver Ferris Airlines’ new pilot-less drones when we first meet him.  It also enables us to start the movie by sympathizing with Hal, which is far better than starting the movie thinking he’s a jerk the way we do in the theatrical cut.

After watching that long new introductory sequence, I was jazzed — this movie is already a whole lot better, I thought!  Sadly, if there were any further changes or extensions to the film after that point, I didn’t notice them.  The rest of the film is as turgid as before.  They even left-in the ridiculous flashbacks in Hal’s test-flight early in the film!!  That makes that whole sequence even MORE stupid than it was in the theatrical cut, when at least the flashbacks were presenting us with some new information.  In this version, we just saw ALL of those scenes literally minutes beforehand!!  Having to sit through those scenes again is beyond stupid.

But Green Lantern is afflicted by this sort of ham-handed story-telling from start-to-finish.  Take the whole introduction to the film, and the escape of Parallax (the film’s main villain).  We hear, in prologue, all about the Green Lantern Corps and about their great enemy, Parallax, who only the great Green Lantern Abin Sur was able to defeat, and imprison in something called “the Lost Sector.”  First of all, as much as I loved Geoffrey Rush’s voice in the narration, and the cool sci-fi imagery on display, I think telling the audience everything we need to know about the villain right off the bat deflates all of the tension… [continued]

Back in 1986, Frank Miller turned the comics world on its ear with the release of Batman: The Dark Knight Returns.  This four-issue prestige-format limited series, which Mr. Miller wrote and pencilled (with inks by Klaus Janson and gorgeous colors by Lynn Varley), told the story of a bitter, middle-aged Bruce Wayne.  In Miller’s story, Bruce had retired from being Batman following the death of Jason Todd (the second Robin, who was actually killed in-continuity in the Batman books a year or so later in the “A Death in the Family” story-line).  But disgusted by the cess-pool of crime and corruption that Gotham City has become, Bruce puts back on the cape and cowl and resumes his one-man war against crime, leading to his final confrontation with the Joker and, ultimately, with Superman, who is now in the employ of the U.S. Government.  Violent, gorgeous, and compelling, The Dark Knight Returns blew my mind when I read it (at far too young an age, back in 1988), and it still stands today as one of the finest comic book stories ever made (and certainly as one of the very best Batman stories ever told).

One might have thought that such a work could never be equaled, but the following year, in 1987, Frank Miller returned to Batman and told a story that is as good — if not even better — than The Dark Knight Returns.  For four issues in the regular Batman comic (#404-407), Mr. Miller and David Mazzucchelli retold Batman’s origin in the story called Batman: Year One.  Whereas The Dark Knight Returns was a huge, epic saga, Batman: Year One is a street-level, entirely stripped down Batman story.  In fact, the genius of the story is that it isn’t really Bruce Wayne’s story at all.  The focus is on a young James Gordon, as he attempts to survive his first year on the force in Gotham City.  Batman: Year One is a tough, violent, gritty tale, populated by the corrupt and the broken.  Even our heroes, Bruce Wayne and James Gordon, are presented as being far from perfect — but their heroism derives from their striving to battle past their flaws and imperfections and attempt to do the best they can in a city without hope.  It’s one of Frank Miller’s very best-written tales, and David Mazzucchelli’s art continually takes my breath away with its gorgeous stylization (the man knows how to spot blacks better than pretty much anyone else in the business) and astonishing detail.

Like The Dark Knight Returns, Batman: Year One sits at the very top of the heap of comic book story-lines.  It’s been mined for inspiration by several of the big-screen versions… [continued]

Lots of fun geeky goodness has been spilling out onto the nets recently, mostly because of the annual San Diego Comic-Con.

Did you miss the teaser trailer for The Avengers at the end of Captain America? Check it out here. Pretty sweet.

Speaking of teasers, here’s one for The Dark Knight Rises.  I’m intrigued as to how definitive an ending Christopher Nolan is planning on giving his Bat-films.

Here’s another teaser for one of next summer’s big films — though this isn’t just a teaser, it’s a full-length trailer for the Spider-Man reboot, The Amazing Spider-Man.  The trailer is well put together, but I still can’t muster up too much excitement for this film.  I hate that they’re rebooting the series, and that we have to sit through another version of Spidey’s origin.  Just re-cast the roles and tell a great new Spider-Man story.  Why start over from zero??  Frustrating.

Now this is more intriguing: it’s the much-discussed abandoned introduction sequence to Bryan Singer’s Superman Returns, in which Superman explores the ruins of Krypton.  I can understand why it’s not in the movie (the whole scene is perfectly summed up in Superman’s one line to Ma Kent, that all he found at the end of his long journey into space was a graveyard), but it’s still a pretty cool sequence.  I love Supey’s crystalline Kryptonian ship, and I love the huge S.

It’s Peter Jackson’s third production diary from The Hobbit! Rejoice!

Oh, Lost, will you ever stop breaking my heart?  If you are (or WERE once, like me) a fan of Lost, this hilarious “lost” scene from season one, that was unveiled at Comic-Con, is a wonderful piece of genius.  (But Damon Lindeloff’s comments about why they didn’t answer one of the most annoying, to me, lingering questions from season 5 — just who was shooting at Sawyer and co. from the other boat — makes me CRAZY.  CRAZY!!!)

Sooo… is Prometheus an Alien prequel or not???  AAARRGH!!!  I’m desperate to know, but either way, a new sci-fi film from the great Ridley Scott has me excited.

We’ll see what people say about the set once it’s released, but for now I stand by my comments that I do not plan on purchasing the blu-ray set of the Star Wars films.  Still, I did begin salivating at the report that the set will include never-before-seen deleted scenes from the Original Trilogy, and this teaser trailer for those deleted scenes is pretty awesome:

Speaking of George Lucas, it seems that he and his collaborators have FINALLY finished Red Tails, the film about the Tuskegee Airmen from WWII, about which Mr. Lucas has been… [continued]

Well, we’ve had two very solid super-hero films so far this summer, Thor (click here for my review) and X-Men: First Class (click here for my review), and while neither were quite as perfect as I might have hoped, I found both to be very solidly entertaining films.  But with Green Lantern, sadly, we have our first big super-hero swing-and-a-miss of the summer.

Green Lantern isn’t terrible, and there are certainly a lot of things that work in the film.  But it’s very, very mediocre, and it’s painful to see the potential for a much better film that was squandered.

What works?  The film is, for the most part, well-cast.  Ryan Reynolds does a fine job as Hal Jordan.  He certainly looks the part, and there are moments (such as his desperate, through-gritted-teeth declaration of the Green Lantern oath late in the film) that really made me believe in him as Green Lantern.  The voice actors chosen to portray the alien members of the GL Corps (most notably Geoffrey Rush as Tomar Re and Michael Clarke Duncan as Killowog) are spot-on, and Mark Strong is absolute perfection as Sinestro.

But all are completely wasted in the film!  Let’s begin with Hal Jordan, who is barely a character.  The film wants him to be Tony Stark from Iron Man (the self-centered asshole with incredible abilities who eventually learns to see beyond himself and his own ego to become a hero), but his character arc is so barely sketched in as to be laughable.  It all seemed very predictable and perfunctory to me.  I never felt that we really got to know Hal Jordan at all — who he is and why he behaves the way he does.  (And, no, the painfully on-the-nose flashback during Hal’s test flight at the start of the film didn’t do it for me.  That sequence seemed right out of Airplane!, and that’s not a good thing!)  When he stepped into the role of a hero, it didn’t feel earned the way that Tony Stark’s transition did in the first Iron Man film.

Speaking of Iron Man, the whole vibe of Green Lantern felt totally derivative of that film.  The movie desperately wanted to be hip and cool while also telling a fairly earnest super-hero story, just like the first Iron Man, but Green Lantern was never able to find that tone.

I had thought, from the trailers, that Green Lantern was going to be a cosmic adventure film.  That the film opens in space, and keeps cutting back to events taking place in space (rather than starting with human Hal Jordan and staying with him until he discovered Abin Sur and the Green Lantern… [continued]

It’s pretty hard to believe that Smallville has been on the air for ten years, and I am even a little bit more astonished that I’ve been watching the show for pretty much all of those ten years!  From the very beginning, I have found watching Smallville to be a somewhat frustrating endeavor.  I’d be hard pressed to name a show that’s been so wildly inconsistent in quality.  A spectacular, exciting, complex episode will be followed by an agonizingly painful, awkward, juvenile installment.  But the good episodes have been good enough to somehow keep me watching even through the bad ones (and there have been plenty of bad ones).

Smallville is probably the best argument for the strength of the British TV model (and the increasingly common HBIO/cable model) of shorter (8-12 episode) seasons rather than the standard American network TV seasons of 20-24 episodes.  Over the years I’ve read fans writing off this season or that season of Smallville as garbage, while praising other years.  Personally, I think pretty much every season of the show has had merit, and has had some great episodes.  But boy oh boy have I felt (right from season one) that the story-lines were padded and stretched FAAAAR beyond what made any logical narrative sense.  The years and years of yes-they’re-a-couple, no-they’re-not-a-couple Clark Kent/Lana Lang soap opera antics is the most annoying example of this, but even in the later, more focused seasons this has been a problem.  The show actually found interesting ways to incorporate Doomsday and General Zod as villains (in seasons 8 and 9, respectively), but by making us wait through the WHOLE long season for Clark and his Big Bad villains to finally come to loggerheads stretched my patience well past the breaking point.  Out of the ten seasons of Smallville, I’d say there’s probably a terrific four year-run of a great super-hero show.

That is not a very good record!  But Smallville did have a number of moments of real greatness, and those moments kept me from ever giving up entirely on the series.  There have been some episodes that have been among the very best live-action depictions of super-heroics that I’ve ever seen, in movies or on TV.  (The season two episode, “Rosetta,” guest-starring Christopher Reeve comes to mind, and the show consistently did season-finales like nobody’s business.)  The visual effects are not great, but they’ve been good enough to be decently entertaining week in and week out.  But when the show was great, it wasn’t because of visual effects, it was because they found a sweet spot between incorporating aspects of the Superman mythology while keeping the over-all narrative fun, engaging, and accessible.

When Smallville was first… [continued]

It’s been a while since I’ve chimed in with my thoughts on the recent direct-to-DVD DC Universe animated films!  Here are my thoughts on the last three releases:

Superman/Batman: Apocalypse – Coming hot off the heels of what I consider to be the strongest film in this series so far, the grim and intense Batman: Under the Red Hood (read my review here) comes this, by far the worst film so far.  This one is pretty much a total, unwatchable catastrophe.  Despite what the title and cover art might have you believe, this isn’t a story about Darkseid (one of the best Superman villains) at all.  It’s really the latest version of the Supergirl story (adapted from Jeph Loeb and Michael Turner’s story which did not interest me when it was published and still does not interest me now).  Now don’t get me wrong: I have nothing against Supergirl!  I loved the character on Bruce Timm’s animated Superman and Justice League shows.  But this desperate-to-be-hip reinterpretation has always smacked of desperation to me, and shoe-horning in Darkseid and his minions just robs those great characters of the focus they deserve.  Darkseid and the New Gods mythos were presented with far greater success in the afore-mentioned Superman and Justice League animated series.  This is just a sub-par retread of ground that has already been covered.  Skip this one at all costs, gang.

Superman/Shazam!  The Return of Black Adam — In addition to re-presenting the three DC Universe universe shorts that appeared on the three prior DVDs (with commentary tracks that are interesting but really should have been included on the original releases), this DVD collection includes the new Superman/Shazam short.  I say “short,” but it’s a good deal lengthier than the previous three shorts.  At almost 25 minutes, this is much more the length of an episode of one of the DC animated series.  And, indeed, this short feels just exactly like we’re watching a long-lost episode of one of those Bruce Timm DC Universe animated series.  That’s both good and bad.  It’s good in that the quality of the story-telling and the animation is high.  I find origin stories to be a little tiring, but I like this version of the Shazam/Captain Marvel mythos and I thought everything was presented in an effectively succinct, to-the-point way.  But it’s bad in that this felt pretty much like just another episode.  There wasn’t anything that jaw-dropping to see, and the story never reached anything near the apocalyptic heights glimpsed in the DVD’s terrific cover painting.  Also, as with the Darkseid stuff in the previous DVD, I felt that all of this had been done before, and better, in the old animated… [continued]

Though I think the quality of his films has dipped considerably in the last decade or two, I remain an enormous Woody Allen fan.  So I tip my hat to Juliet Lapidos from Slate Magazine who just watched every single Woody Allen film and summarized what she’s learned.  It’s a wonderful piece — well-worth your time.  (I’m also pleased that to learn that, after her massive re-watching project, she concurs with my long-held opinion that 1997′s Deconstructing Harry was Mr. Allen’s last truly great film.)

Here’s also a fascinating ranking of Mr. Allen’s films into categories (from the “masterworks” to the “bad”).  There’s not too much I can disagree with about this listing!  It’s pretty spot-on, I think.  A few quibbles: I think Hannah and her Sisters and What’s Up Tiger Lily should be bumped up to “great,” as should Play it Again Sam, Deconstructing Harry, and Zelig. Bananas deserves a spot in the “Masterworks” category, and I’d bump The Purple Rose of Cairo down one notch to the merely “great.”  And Scoop definitely needs to be shifted down into the “bad” category.  OK, I guess I did have some objections!  But still, over-all, a terrific list.

Speaking of obsessive-compulsive types, check this out: a complete guide to every single sneaker Jerry Seinfeld ever wore on Seinfeld.  Very cool (and just slightly frightening).

So, Rise of the Apes (which was originally called Caesar) is now Rise of the Planet of the Apes? Wow, the title just became simultaneously way more awesome and also way, way stupider.  I can’t wait!  (By the way, did you watch the new trailer???)

I’m not sure what makes me happier: that we’re actually getting a new Planet of the Apes movie this summer, or that in New Zealand right now they’re actually, finally, for-real, filming Peter Jackson’s two-film adaptation of The Hobbit. Have you seen the first new production diary? I have tingles.  I’m not kidding!  Peter Jackson was a true innovator with the video diaries that he posted back in the day, chronicling the making of the Lord of the Rings trilogy and then King Kong, and I have fond memories of devouring those whenever they were released during the pre-production and production of those films.  It makes me so happy that they’re finally back, and that The Hobbit is at long last under-way.  CAN’T WAIT FOR MORE.

Are we really just a few weeks away from Thor? I really want that movie to be good, but I’m a bit nervous.  This very positive early review has me optimistic, though!

I’ll be posting a piece soon with my thoughts on the last few DC animated projects (including the… [continued]

A few days ago, Devin Faraci wrote a great piece over on Badassdigest.com (a really phenomenal site that I can’t recommend highly enough) about the terrible ending of the classic Bill Murray film, Stripes.

Mr. Faraci is right on the nose — the last 30 or so minutes of Stripes are really quite terrible.  Now, I must admit that I’m not a huge fan of the first two-thirds of Stripes, either.  I think I saw the film way too late in life to really connect with it the way other children of the eighties did.  Despite my long-held love for Bill Murray’s movies of the 1980′s (epitomized by my near fanatical worship of Ghostbusters), somehow I missed Stripes throughout my childhood — I only finally saw it when I was in college, and by then I just didn’t find it all that funny.

But Mr. Faraci’s article got me thinking about other good films undone by their endings… and wondering if there any films, as Mr. Faraci asks, whose first two-thirds are so good that I forgive their weak ending?

(Let me state that, obviously, SPOILERS LIE AHEAD for the films under discussion!!)

Let’s begin with some films that start off strong but are, in my opinion, completely ruined by their terrible endings:

No Country for Old Men — I was totally engrossed in this tense, beautiful film for much of its run-time, but the ending totally sunk my enjoyment.  After following the character of Llewelyn Moss (Josh Brolin) throughout the film, and totally investing in him, I couldn’t believe how that character was completely abandoned and ignored in the final few minutes of the movie.  The film’s title — No Country for Old Men — and the way the end of the film focuses on Sheriff Bell (Tommy Lee Jones) indicates to me that the Coen Brothers intended the film to be the Sheriff’s story, not Llewelyn’s.  But the movie never earns that.  It never shows us the message given by its title, and Tommy Lee Jones’ monologue in the last scene.  What was it about the death of Llewelyn Moss that so affected Sheriff Bell?  For a man who had clearly been involved in other cases that involved murder and death, what was it about this particular event that shook the Sheriff so deeply?  We’re never told, and ultimately, as a viewer, I didn’t care too much about Sheriff Bell — I was invested in Llewelyn!  And having the end of his story be cut off by the finale really disappointed me.

A.I.: Artificial Intelligence — Not that the first two-thirds of this film were so perfect to begin with, but had the movie ended with David… [continued]

This is a pretty funny assemblage of 1980′s movie references.  Don’t miss Topher Grace’s dynamite Marty McFly impersonation that comes at around 2:30.

I was sad to read of the passing of famed composer John Barry. He’s responsible for so many pieces of iconic James Bond related music, it’s staggering.  He wrote the scores for eleven Bond films, including Goldfinger and From Russia With Love.

In happier Bond news, is it possible that Javier Bardem will be the villain in the next Bond film?  James Bond vs. Anton Chigurh?  What an inspired idea!

In even-happier-than-that Bond news, comes this casting possibility.  I really hope these casting rumors pan out!  I’m very excited with the way Bond 23 looks to be shaping up so far…

Click here to read The New Yorker‘s fantastic profile of Guillermo del Toro.  It’s a lengthy piece, stuffed full of delicious tidbits of information on the many projects that he has in the hopper (and some — like The Hobbit with him as director — that sadly will never be).  I really hope that his adaptation of At the Mountains of Madness actually happens.

I’m a dreamer, and I dare to dream that someday we’ll get another awesome X-Men movie.  (I adored X-Men and X2, but was disappointed by X3 and thought X-Men Origins: Wolverine was one of the worst movies I’ve ever seen.)  I’m starting to think it just might be happening when I read articles like this about The Wolverine, the upcoming film directed by Darren Aronofsky (The Wrestler, Black Swan), written by Christopher McQuarrie (The Usual Suspects), and based upon Chris Claremont & Frank Miller’s famous, amazing Wolverine mini-series from 1982, set in Japan.  My hopes are VERY high for this one, gentlemen.  Please don’t let me down!

The moment I knew was coming has arrived: Brandon Routh is officially not playing Superman in Zack Snyder’s upcoming film.  Readers of this site know that I am a fierce defender of Superman Returns, and in particular I thought Mr. Routh was phenomenal as Clark Kent/Superman.  I totally understand that Mr. Snyder wants to set his film apart from Bryan Singer’s film, but I’m still really disappointed that we’re not going to get a whole series of films with Mr. Routh in the lead.  It’s a big disappointment.

And, I must add, this rumor that Jessica Biel is up for the role of Lois Lane has me VERY worried.  Urgh, that’s a terrible idea.  But then I read that that Jessica Biel rumor is just that — a rumor.  OK, whew, I thought, bullet dodged.  But then I read that she can’t be Lois Lane because, apparently, Lois… [continued]

Yesterday I began listing my Top 10 DVDs/Blu-Rays of 2010.  Here’s the rest of my list!

5. Batman: Under the Red Hood — Bruce Timm’s Batman: The Animated Series knocked me for a loop when I first saw it back in the ’90s, and I’ve been a huge fan of his many DC Universe animated projects in the years since.  The recent series of animated DVDs that he’s been masterminding have been a bit hit-or-miss, but this film (adapting a storyline from the Batman comics written by Judd Winick) is really tremendous.  The story has a GREAT hook: Batman’s life is uprooted when he discovers that the new crime-lord in Gotham City just might be his former partner, Robin.  What unfolds is a surprisingly dark, surprisingly violent tale.  Whenever Mr. Timm returns to Batman, I’m a happy camper, but this grim little film really grabbed me.  I think it’s a particularly great depiction of the Dark Knight Detective.  A superlative voice cast (including Bruce Greenwood, Neal Patrick Harris, Jensen Ackles, Jason Isaacs, and Futurama’s John Di Maggio) is just the icing on the cake.  (Click here for my original review.)

4. Family Guy: It’s a Trap! – The folks at Family Guy conclude their trilogy of extended episodes parodying the three original Star Wars films with this warped version of Return of the Jedi. The animation is absolutely gorgeous (it’s shocking that I would write that about an episode of Family Guy, but believe me, it’s true.  These artists have painstakingly recreated shot after shot from Return of the Jedi. Their version of the Battle for the Second Death Star is astounding).  The jokes are very funny.  (I was particularly taken with their depiction of the speeder-bike chase sequence, but on tricycles.)  It’s Family Guy Star Wars.  What more could I ask for?  (Click here for my original review.)

3. Grindhouse (Blu-Ray) – I was very afraid that this would never see the light of day, but at last one can now own the original theatrical version of Quentin Tarantino and Robert Rodriguez’s double-feature, complete with all of the fake trailers.  I love the extended versions of the two films that were released on DVD a few years back, but I’ve been aching to be able to experience what I saw (and so loved) in theatres back in 2007.  Ignore the nay-sayers — this film is genius, and it is phenomenally entertaining viewing.  It’s not for everyone (there’s a lot of sex and violence), but damn do I think it’s a lot of fun.

2. Apocalypse Now: Full Disclosure (Blu-Ray) – Apocalypse Now is one of my favorite films.  I didn’t quite understand it the first time I saw it, but… [continued]

Here are some of the comic books I’ve been reading lately:

Serenity: The Shepherd’s Tale — This gorgeous hardcover graphic novel finally reveals the mysterious back-story of Shepherd Book, the enigmatic preacher from Joss Whedon’s dearly-missed TV series Firefly.  I always felt that the character, played to such perfection by Ron Glass, was one of the more intriguing members of the show’s ensemble.  This man of peace clearly had a great deal of knowledge of war, and about the inner workings of the Alliance, but we never got to know the character’s full story.  With Book’s tragic death in the film Serenity, and that film’s poor box office killing the hope of any further sequels, it seemed that Firefly fans would be left always wondering about the much hinted-at history of Shepherd Book.

Dark Horse Comics to the rescue!  The publisher has put out several Serenity comic books over the past few years, but The Shepherd’s Tale is the high-point.  Written by Joss Whedon and his brother Zack Whedon (a very talented writer in his own right, Zack was a key creative voice behind Dr. Horrible’s Sing-Along Blog and wrote Dark Horse’s terrific recent Terminator series), this is the official, canon, straight-from-the-horse’s-mouth version of Shepherd Book’s story.  It’s a wonderful tale, presented in vignettes told in reverse chronological order.  In a clever touch, we begin with Book’s death (and, by the way, Book’s narration of the moment of his death is so perfect, so wonderful, that once again my heart aches at the demise of Firefly) and then work our way back through his life.  (I should note here that, as wonderful as the choice to present Book’s life in reverse chronological order is, its impact was a bit diminished for me since I have long held Star Trek Annual #3, “Retrospect,” published by DC Comics back in 1988, to be one of the greatest comic books I’ve ever read.  That issue, written by Peter David and illustrated by Curt Swan & Ricardo Villagran, presents the story of Scotty’s life-long love affair with a doomed woman in reverse order, from the moment he learns of her death back all the way to their first encounter as little kids.  It broke my heart when I first read it as a kid, and I have re-read it a thousand times in the years since.  But back to Serenity…)

Chris Samnee’s art is gorgeous, dense and atmospheric.  He’s not an expert at capturing the features of the actors from the TV series, but his art is so expressive that I didn’t mind a bit.  He totally captures the “feel” of Shepherd Book, and he’s an expert at creating a rich environment of backgrounds… [continued]

Last month I wrote about a number of great comic books that I’d read lately.  Here’s some more of the fun stuff I’ve been reading these past few weeks:

The Marvel Art of Joe Quesada — I remember taking note of a young artist named Joe Quesada back when he was illustrating Azrael for DC Comics and a variety of books for Valiant Comics (like Ninjak and, as I recall, a zero issue of X-O Manowar), and I’ve been following his work ever since.  These days he’s one of the biggest superstars out there, but not just as an illustrator — Mr. Quesada has been the editor-in-chief of Marvel Comics for a decade.  This gorgeous oversize hardcover is a comprehensive look back at his work for the House of Ideas.  In particular, I love the spotlight given to all of his phenomenal cover work.  I wish there was a little more commentary provided along with all the beautiful reproductions of his work (I’ve been spoiled by the way the Cover Run: The Art of Adam Hughes book contained commentary by Mr. Hughes for EVERY IMAGE), but that’s a minor complaint.  A stunning collection that sits proudly on my bookshelf.

Baltimore: The Plague Ships — Another winner from Mike Mignola and his team.  Written by Mike Mignola and Christopher Golden (working together to bring the lead character from their novel Baltimore,: or, the Steadfast Tin Soldier and the Vampire to the world of comic books) with wonderfully atmospheric art by Ben Stenbeck (and phenomenal coloring by Dave Stewart), the mini-series has me gripped so far.  Lord Henry Baltimore hunts vampires across Europe in the early 1900′s.  It’s grim and bloody and phenomenally good.

The Amazing Screw-On Head and Other Curious Objects — Speaking of Mike Mignola, I must also heap praise on this wonderfully loony hardcover collection of his one-off story, The Amazing Screw-On Head (about a robotic head that can screw into various elaborate action-figure bodies in order to hunt monsters for Abraham Lincoln) along with a variety of other equally bizarre short-stories (many of which were written and drawn specifically for this collection).  Wonderfully off-beat and gorgeously illustrated by the phenomenally talented Mr. Mignola, I am in love with this handsomely-designed collection.

Dr. Horrible and Other Horrible Stories — I was a bit dubious that the characters from Joss Whedon’s triumphant web-series Dr. Horrible’s Sing-Along Blog (read my rapturous review here) could translate to comics, but this softcover collection (reprinting Dark Horse Comics’ Dr. Horrible one-shot from earlier in the year along with several other short stories spotlighting different characters from the Dr. Horrible universe) but boy was I wrong.  Zack Whedon wrote all of the stories and managed to perfectly… [continued]

I’ll admit, I had been starting to lose hope about the continuing series of DC Animated films, but Superman/Batman: Public Enemies was a step in the right direction, and the latest installment, Batman: Under the Red Hood, is even better.

Under the Red Hood is based on the story-line that ran through the Batman comic books in 2005-2006 (and was eventually collected in a two-volume collection called Under the Hood), written by Judd Winick and illustrated by a variety of artists but primarily Doug Mahnke.  In the story, Batman must confront a new nemesis: The Red Hood.  The mysterious character at first appears to be a new crime-lord, vying with The Black Mask for control of Gotham City’s criminal element, but he turns out to be a vigilante aiming to destroy those criminals, albeit using much more violent (and deadly) methods than Batman ever employs.  That’s troubling enough on its own, but when evidence points to the Red Hood as being a mysteriously resurrected Jason Todd (once Batman’s second side-kick Robin, murdered by the Joker in the infamous A Death in the Family storyline from back in 1988), Batman finds himself painted into an impossible corner.

At the risk of repeating the point I have made in my last several reviews of these DCU animated films, I’m much happier seeing direct adaptations of famous comic book story-lines, rather than all-new stories (like the mediocre Wonder Woman and Green Lantern: First Flight films, or even the Justice League: Crisis on Two Earths film which I found more enjoyable).  So Under the Red Hood had that going for it, in my book, right off the bat.  The problem is that, with the exception of the graphic novel New Frontier (which is a phenomenal piece of work by Darwyn Cooke), I haven’t been too wild about the choice of comic story-lines these films have adapted.  Superman: Doomsday adapted the sprawling, months-long Death of Superman storyline, and while that story-line was a smash hit at the time it came out, it has aged very poorly.  I thought Jeph Loeb’s Superman/Batman storyline (adapted for Public Enemies) was over-rated at the time — all flash and dazzle without too much actual meat to the story.  And Judd Winick’s Under the Hood story-line was, in the comics, fairly mediocre in my opinion.  It had a killer hook, bringing back Jason Todd, but rather than building to a powerful climax I felt the story was abandoned.  There was no clear resolution as to what happened to Jason/Red Hood, and when we finally got the answers as to how he was resurrected (in Batman Annual #25) it seemed like a convoluted mess.  Also, read the Under the Hood collections… [continued]

Although my life is as hectic as usual, I did have a little time off after the summer that allowed me to catch up on a whole host of great comic books that had been sitting unread on my shelf!  Here’s some of what I’ve been reading lately:

Batman #700 – “Time and the Batman.”  Loved this one. It’s a great mind-bender of a story, set in three different eras.  This issue had all the Grant Morrison weirdness that I love, but contained in a one-shot story that had a strong resolution. Great art, too, by Tony Daniel, Frank Quitely, Andy Kubert, and David Finch.

Streets of Gotham – I am continuing to love this series. Fun mystery/adventure stories by Paul Dini and great art by Dustin Nguyen equals a winner for me.

The Marvels Project — I caught up with this whole miniseries by Ed Brubaker and Steve Epting, depicting the early (WWII-era) days of the Marvel Universe.  Brubaker and Epting are enormous talents, and great collaborators, but I wasn’t bowled over by this series.  It felt like pretty familiar ground (covered pretty thoroughly by Alex Ross and Kurt Busiek’s seminal series Marvels), and while the story was engaging and entertaining I didn’t feel like I learned any dramatic revelations about the origins of the Marvel Universe.

Nemesis — Another hyper-violent series from Mark Millar, but I’m loving every juvenile minute so far.  Glorious art by Steve McNiven.  I’m really eager to see where this goes.

Powers — Boy, after singing the praises of this long-running (over a decade!) series in the spring, I’m sad to say I’ve been disappointed by the first five issues of volume 3.  The issues all seem rushed — the usually stupendous art feels scratchy and unfinished, and the story feels half-baked.  (We’ve seen that Walker has been a good guy ever since the dawn of time — yet suddenly we learn he was a prick back in the ’50s?  Doesn’t really work for me.)  I hope things pick up soon.

Avengers and New Avengers — I know he has his critics (and I just said I’m not loving Powers these days), but I get enormous enjoyment out of the vast majority of Brian Michael Bendis’ writing, and I love how things have kicked off with his re-launches of these two series.  In Avengers, he and the phenomenally talented John Romita Junior are telling a big, huge, cosmic time-travel storyline that is rollicking along, while in New Avengers he and the equally phenomenally talented Stuart Immonen are crafting a slightly more down-to-earth tale that nevertheless involves an upheaval in the magical aspects of the Marvel Universe and the possible destruction of the Earth.… [continued]

Have you heard that they’re making new Looney Tunes cartoons to show theatrically?  Check out this glimpse of the first new Road Runner cartoon in far too many years:

Battlestar Galactica lives on!  Rumors are that SyFy are working on an on-line BSG spin-off, tentatively titled “Blood and Chrome” that would depict a young Bill Adama during the first Cylon War.  I LOVED the glimpse at a young “Husker” Adama that we got in Razor, and would LOVE to see more.  I hope this comes to pass!

I’ve been reading for years about the Alamo Drafthouse’s Rolling Roadshow film series, in which famous films are screened in a location connected in some way with the film.  It’s always sounded like a cool idea, and these special posters for the upcoming tour are just phenomenal.  I love movie posters, and these are about the coolest posters I’ve seen in a long, long while.

If there’s one sliver of a silver lining from MGM’s financial woes forcing Guillermo del Toro to leave the in-development Hobbit films, its the announcement that he’ll next be directing an adaptation of H.P. Lovecraft’s Mountains of Madness, a project that del Toro has been talking about for years.  Should be awesome.

As readers of the site are probably well aware, I am one of the few people on Earth who unabashedly loved Superman Returns.  So I wholeheartedly second this plea from CHUD that Brandon Routh be allowed to reprise his role as Clark Kent/Superman in the next Superman film.  I thought Routh was pretty much perfect, and I would be thrilled to see him continue.

Speaking of superheroes, I’m sure you’ve all heard about the official announcement of The Avengers‘ cast and line-up at Comic-Con last week.  Here are some more details from the panel.  Pretty astounding cast, if you ask me, and I think Joss Whedon is a perfect choice as director.  Now please please please don’t screw this up, gang!!

Here are some fascinating reports from the Thor panel & footage from Comic-Con, as well as the Captain America panel.  I cannot wait to see some actual footage from these two films.  I really hope Marvel is able to pull these movies off.

Behold The Infinity Gauntlet!!  Awesome.

OK, enough Marvel, let’s talk DC!  I was very underwhelmed by our first look at Ryan Reynolds as Green Lantern, but I love this peek at Sinestro.

Lost‘s Damon Lindeloff is re-writing the Alien prequel that Ridley Scott is directing? Pretty cool.

If they ever actually make another Judge Dredd movie, I love the idea of Karl Urban under… [continued]

There has been some exciting news recently in the world of superhero movies.

EW has premiered the first look at Ryan Reynolds in his Green Lantern costume.  I think it looks absolutely terrible, frankly — but I often think that the first time a live-action superhero costume is revealed.  I remember really disliking the first glimpse I got of the X-Men costumes, and the Spider-Man costume, but both worked well on film, so I’ve learned not to put too much stock into that first pic.  Still, not encouraging.

More encouraging is the word that, following the whole brou-ha-ha over Edward Norton getting booted from the upcoming Avengers movie is word that Mark Ruffalo is being considered for the role of Dr. Bruce Banner.  That’s an inspired casting idea, and I really hope this happens.

Is Kevin Bacon going to be the villain in the upcoming X-Men prequel? That’s a sort of weird idea.  The casting so far for X-Men: First Class has been superb, so hopefully this isn’t the first wrong turn.  (I still think making an X-Men prequel is a dumb idea… Let’s move teh story FORWARD and make X-Men 4 already!!)

Here’s some news on Marvel’s next films: Thor and Captain America.  There’s a fun pic of Anthony Hopkins as Odin, but I’m not sure what to think of the idea of converting the two films to 3-D.  The jury’s still out, in my opinion, as to whether and of these late-in-the-game 3-D conversions can be done with any decent level of quality.  We’ll see…

I know I’m turning into a bit of a broken record regarding the continuing series of animated DC Universe DVDs, but I can’t really help it.  I’m really enjoying the direct-to-DVD series so far, and I certainly understand that I should count my blessings that these unique and well-made animated projects exist at all.  But I’m still waiting for one of these new animated films to truly hit the ball out of the park.  These films are great, but none yet rival, say, the animated Batman: Mask of the Phantasm from 1993.

Which is not to say that the latest animated film, Justice League: Crisis on Two Earths, isn’t a lot of fun — it certainly is!  Based on a variety of different comic book story-lines, this film has some fun with the idea of alternate universes existing parallel with the main DC universe.  Lex Luthor flees one-such alternate world, where alternate versions of the Justice League members have banded together to form the Crime Syndicate and take over the world.  Luthor — actually fighting on the side of good in that universe — determines that his world’s only hope lie in heroes from another universe entirely — our Justice League.

It’s a pretty familiar set-up, but what follows is a fun, tightly-paced action adventure in which Superman, Batman, & co. are forced to confront darker, more ruthless versions of themselves.  There are some nice character beats, and several terrific action sequences.

The voice acting — as is par for the course in these Bruce Timm-supervised DC animated productions — is top-notch.  Hark Harmon (NCIS, The West Wing) is Superman, William Baldwin is Batman, Chris Noth (Mr. Big from Sex and the City) is Lex Luthor, and Vanessa Marshall is Wonder Woman.  Portraying their adversaries are Brian Bloom as Ultraman, James Woods (so many great movies, including Casino and Once Upon a Time in America) as Owlman, and Gina Torres (Zoe from Firefly) as Superwoman.

Despite those great actors, though, I must confess that I miss the voices from the original animated Superman, Batman, and Justice League TV series.  It was GREAT having those core original actors (Tim Daly, Kevin Conroy, and Clancy Brown) back for the last DC animated DVD, Superman/Batman: Public Enemies (read my review here), and I missed them in this installment.  This was particularly the case because this film isn’t a direct adaptation of a specific comic book story — in fact, of all the DVD films, this adventure feels the most like it could have been an extra-long episode of the Justice League series.  This isn’t a surprise, because on the special features it is revealed that writer Dwayne McDuffie had originally written this adventure… [continued]

OK, we’re getting closer!

We’re now six films into DC Comics and Warner Bros.’ exciting new endeavor to launch high-quality direct-to-DVD animated films masterminded by Bruce Timm, one of the key creative forces behind the amazing Batman: The Animated Series from the 90′s.  In my review of the fourth film, Wonder Woman, I wrote that I enjoyed the effort but that I was disappointed that, to that point, the DVD series wasn’t turning out as I had hoped.  I wrote:

The original announcement had seemed to indicate that the series would focus more on adaptations of classic comic stories as opposed to this sort of one-off origin story that isn’t based on any specific source material.  This is the sort of thing that most of the live-action super-hero films do, creating a new story that is sort of a “melange” of various bits of story-lines and background from the many years of the character’s history.  It’s not what I was hoping for from these DVDs.  (To my dismay, the preview included on the Wonder Woman disc seems to indicate that the next DVD, a Green Lantern adventure, will be exactly this same type of not-based-on-anything-specific tale.)  Where is my epic animated adaptation of The Great Darkness Saga?  Or Batman: Year One?  Or Kingdom Come?  How cool would that be?

Other than my philosophical support of its premise, is Superman/Batman: Public Enemies actually any good?  Well, it definitely is, though like the rest of these new DVDs it does not match the heights of any of Bruce Timm’s animated DCU series (Batman: The Animated Series, Justice League, etc.).

The story is simple:  Lex Luthor has been elected President of the United States.  He uses the discovery of an enormous fragment of Kryptonite that is on-course to impact with Earth (to what would be sure to be devastating consequences for the planet) as an excuse to issue a warrant for Superman’s arrest.  Batman quickly gets involved, and the… [continued]

Last week I wrote about some of the great comics I’ve read lately.  That list was just scratching the surface!  Here’s some more fantastic stuff that I’ve been enjoying recently:

Hellboy: The Wild Hunt and BPRD: 1947 – The Hellboy saga continues in these two new wonderful mini-series.  In Hellboy: The Wild Hunt, things are coming to a head for the big red guy.  Cut off from his old friends and comrades in the BPRD, and hunted by the newly-resurrected Queen of Blood, things are looking grim for our hero!  Last month’s issue (#6) was jam-packed with astonishing revelations about Hellboy’s origin that I never saw coming, but that I thought worked absolutely PERFECTLY.  Meanwhile, BPRD: 1947 takes us through a rollicking tale of the second year of the Bureau for Paranormal Research and Defense as Professor Bruttenholm struggles against vampires and a lot of other weirdness.  The Hellboy universe has really richened and deepened over these last few years, and I am really excited to see where things go from here.

Ultimate Comics: Spider-Man — The relaunch of Brian Michael Bendis’ take on Spider-Man (three issues have been published as of this writing) continues just where the previous 133 issues (plus a handful of annuals and other specials) left off.  Young Peter Parker must juggle his, um, interesting love-life with a boring job at a fast-food joint (since he lost his job at the Daily Bugle following the devastation of NYC in the truly awful Ultimatum miniseries) with, oh yeah, his crime-fighting escapades as Spider-Man!  Mr. Bendis is well-known for his witty, true-to-teenaged-life dialogue, but I think his real strength is the depth of characterization he brings to Peter Parker and all the rest of the extraordinarily numerous cast of this comic.  Mary-Jane, Flash Thompson, Aunt May, “Kong,” Kitty Pryde from the X-Men, Johnny Storm from the Fantastic Four (and it is almost embarrassing how much more interesting Kitty and Johnny are here than in their “home” comics) and many more characters are all brought to amazingly real life in these pages.  I’ve been following Bendis’ run on “Ultimate” Spider-Man and I’ll be with the series until he leaves.  Spider-Man has never been done better (in my comic-reading life-time, at least!).  My only small complaint: I’m not quite taken with the overly stylized work of new series artist David Lafuente.  Let’s see if it grows on me any more after a few more issues…

Stephen King’s The Dark Tower — I fell way behind on this series of mini-series, adapting and expanding upon the back story of Stephen King’s seven-book The Dark Tower opus, but I was finally able to catch up last month.  Breathtakingly gorgeous art by Jae… [continued]

So, wow!  After the recent Comic-Con the web has been flooded with all sorts of teases about upcoming movies, TV shows, and other geeky goodness.  Here’s some of the best stuff that I’ve found:

After so many years of speculation and false starts, the sequel to Tron is finally, actually happening!!  Check out the STUNNING trailer here.  It’s going to be in IMAX 3-D??  I’m THERE.

I cannot believe they’re actually making a Jonah Hex movie.  (And with Josh Brolin, no less!)  Check out the poster.

The ending of Lost revealed?  Um, not quite.  Check out this video from the Lost panel!  Quite a lot of additional footage from that panel can be found here.  For some reason, Michael Emmerson’s fake audition for the role of Hurley isn’t included, but you can find that here.  Funny stuff.

Here’s a pretty bad-ass trailer for Season 2 of The Clone Wars.  I actually found the first season to be fairly watchable, and this glimpse at the next season looks pretty promising.

You know what it takes to sell real estate?  The same thing it takes to re-make one of the most brilliant TV shows of all time.  Well, AMC’s version of The Prisoner, starring Ian McKellan and Jim Caviezel, is nearly upon us.  Check out this lengthy trailer.  I must say, that looks pretty damn intriguing!

Amongst all of this glorious fun is the extraordinarily troubling continuing story about the newly-resurrected Futurama‘s uncertain future.  This report from the Futurama panel at the con is grim indeed.  Can’t everybody just make nice already?!!

That’s all for now — have a great weekend everybody!!

It is the distant future of the DC Universe.  Beings with super-human abilities have spread across the globe, and ever-more powerful violent heroes and villains wreak untold havoc with their escalating conflicts.  Meanwhile, the heroes of old are gone.  Green Lantern has abandoned Earth for the solitude of space.  Wonder Woman has returned to Themyscira.  Batman, his body broken after years of pushing himself beyond the limits of human endurance, maintains order over Gotham City through the use of menacing robotic sentries.  And Superman has lived alone in his Fortress of Solitude for the past ten years, ever since the Joker’s brutal attack on the Daily Planet resulted in the deaths of ninety-two men.  And one woman.

This is the world of Kingdom Come, a dazzling tale of the future of the DC Universe by Mark Waid and Alex Ross.  Originally published in four parts in 1996, one of the initial core ideas of the story was a comment on the increasingly violent anti-heroes that were very popular in comic books of the nineties.  The brutal Magog, with his scarred eye, his enormous shoulder-pads, and his vicious weaponry was a clear comment on Marvel Comics’ character of Cable.  The specificity of that reference has faded over the years, but the power of Kingdom Come has not.

I can think of few stories that have captured the grandeur of DC’s pantheon of heroes as well as Kingdom Come.  This may be a story of an alternate, possible future, but it remains oen of the most iconic tales of Superman, Batman, and Wonder Woman that I have ever read.  The dynamic between the three of them is at the heart of the story.  Kingdom Come focuses our attention on the way their differing backgrounds have lead them to view the world from vastly different points of view.  Those differences drive deep wedges between the characters, and lead to much of the drama of the story.  Mark Waid’s script is filled with powerful moments and wonderful characterization.  Having read the tale countless times, I am still struck by the moments like Wonder Woman’s first visit to Superman in his isolation, when she throws his oft-repeated commitment to truth and justice in his face.  Then there is my very favorite moment in the series (and frankly, one of my favorite moments in any comic book ever), which comes in Chapter Three when a furious Superman flies out of the Batcave at super-sonic speed, basically disappearing from sight he’s moving so fast, leaving a solitary Batman to remark “so that’s what that feels like.”  Brilliant!

Which brings me to Alex Ross’ remarkable painted artwork.  I have been an enormous fan of this great talent ever… [continued]

Over the past two days I have listed several of my favorite graphic novels.  (Click here for part I and here for part II.)  You’ll notice that most of them had nothing to do with super-heroes.  This was purposeful — although super-hero stories dominate the American comic book scene, there are so many other types of stories that can be told using the comics medium.  That’s something I wanted to highlight.

But that’s not to say that I don’t also love a terrific super-hero story, because I certainly do!  Here are some of my favorites, that are available in graphic novel or collected-edition formats:

Batman: The Dark Knight Returns — Following the death of Robin, Bruce Wayne retired his Batman persona.  It’s been 10 years, and Gotham City has sunk into an urban decay of crime.  Bruce Wayne is a broken man, empty and lost.  But when something drives him to put on that mask one more time, everything changes.  (Although not necessarily for the better!)  Along with Watchmen (which was also released in 1986), Frank Miller’s magnus opus changed the comics industry forever, demonstrating without a doubt that it was possible to tell sophisticated, mature stories with super-hero characters.  (It also was a tremendous influence on the look and tone of Tim Burton’s 1989 Batman film.)  This story is intense and shockingly brutal.  It is also a gorgeous work of art, filled to the brim with overlapping narratives that tell the stories of an enormous cast of characters, all struggling to make their way in the brutal urban jungle that Gotham City has become, and all of them somehow affected by the shadow of the bat.  The Dark Knight Returns is also infamous for Miller’s depiction of an almost fascistic Superman, and his battle with the Batman in the series’ final chapter is a show-stopper.  (I should also mention that I am quite fond of Miller’s Batman: Year One, illustrated by David Mazzucchelli, from which a great deal of the story of Batman Begins was adapted.)

The New Frontier — Darwyn Cooke’s brilliant series re-tells the origins of many of DC Comics’ most familiar characters, albeit set in the years in which they were originally created.  Similar to the way in which The Right Stuff showed how American fighter pilots gradually became our astronauts, The New Frontier tells the story of how the pulp heroes that came out of the second world war gradually became the costumed super-heroes of a brave new age.  Cooke’s somewhat retro, simplified art style is stunningly gorgeous and absolutely perfect for the story being told.  The New Frontier captures the innocence and wonder, as well as the growing dangers, of the… [continued]

Have you seen this?  Jon Hamm (Mad Men) plays Lex Luthor in this short from Funnyordie.com, asking for bailout money for Luthorcorp.  Genius!

Out-there director Spike Jonze (Being John Malkovich, Adaptation) is making a film of Maurice Sendak’s beloved childrens’ book, Where The Wild Things Are?  What an insane, inspired notion.  Check out this wondrous trailer.  This is a movie I need to see.

Speaking of trailers I really want to see, I didn’t know anything whatsoever about Sam Mendes’ (American Beauty) new film, Away We Go, before I saw this new trailer (mentioned at the Motion Captured blog over on HitFix.com).  It stars John Krasinski (Jim from The Office) and Maya Rudolph (from SNL), and now that I’ve seen the trailer I am very excited for this film!  

I love this new poster for J.J. Abrams’ Star Trek movie.  I need this in my home.

Speaking of Trek, there’s been some interesting pieces posted on-line lately about the use of Bryan Tyler’s magnificent score for Children of Dune in the trailers for the new Star Trek film.  This article summarizes the confusion nicely.  I am fascinated by this stuff.  Tyler’s score was also used extensively in the first trailer for Indiana Jones and the Kingdom of the Crystal Skull.  I loved both of the Sci-Fi channel’s Dune mini-series, and it tickles me to hear snippets of the score being used all over the place these days!

Come back here tomorrow to read my thoughts on a terrific older film from director Guillermo del Toro, The Devil’s Backbone!

As I prepare for this weekend’s series finale of Battlestar Galactica (and contemplate life without that brilliant show, one of the greatest of the last two decades), I’ve been thinking about some of the great series finales of the recent past.  Here are some of my favorites, counting down from ten!

10.  Cheers — “One For the Road” – Diane Chambers (Shelly Long) returns in an attempt to re-kindle her romance with Sam (Ted Danson) in this extra-long finale.  To be honest, it’s been years since I’ve seen this one, but my recollection is of really enjoying it.  Bringing back Shelly Long, who was pretty much the star of the show (along with Danson) for the first half of its run, was a brilliant idea.  And the final scene is perfect — Sam waving away a customer while saying “sorry, we’re closed.”  Sniff!

9.  Star Trek: Deep Space Nine — “What You Leave Behind” — I am giving props here to the entire 10-hour, 9-episode “final chapter” of this, the greatest of the Star Trek series.  The show finally becomes what it has always flirted with: a true serial, as seven seasons worth of storylines come to fruition over the course of this magnificent final epic run of episodes.  The Dominion War escalates, a secret section of Starfleet’s complicity in attempted genocide is revealed, and Captain Benjamin Sisko must finally fulfill his destiny as Emissary of the Prophets (a story thread begun in the series’ pilot episode). The show was notable for its enormous cast of recurring characters, and everyone gets his/her due here (with quite a number of popular characters meeting their demise!).  The show gets bumped down a bit on my list because the actual final two hours isn’t quite as great as the episodes leading up to it (it looks like they used up their special effects budget, as one of the major battle sequences is composed almost entirely of recycled footage, something that eagle-eyed fans like me noticed).  Still, the melancholy tone (so unusual for a Trek series) and the sad, final shot of Jake Sisko looking out the window for his lost father as the camera pulls back and the station slowly fades away into the blackness of space is just perfection.

8.  Justice League Unlimited – “Destroyer” — Classic DC Comics villain Darkseid launches a full-scale invasion of Earth, and even the combined might of practically every character (hero & villain) who ever appeared on this amazing animated show are powerless to stop him.  In an epic battle atop the ruins of the Daily Planet building, Superman ultimately falls before the might of Darkseid.  (That sequence, by the way, is a showcase for the stupendous… [continued]

Two rather high-profile new direct-to-DVD animation projects have been released recently — but are they worth your time and hard-earned dollars?  Well read on, true believers!

Futurama: Into the Wild Green Yonder — And so, once again, we bid farewell to Futurama.  Matt Groening’s lunatic sci-fi series was brutally cancelled by Fox back in 2003 after only four seasons.  Luckily, after several long years of waiting, the series was resurrected for a series of four direct-to-DVD feature-length animated films, of which this is the last.  While these new movies haven’t quite reached the high-points of the series’ best episodes (I’m thinking about episodes such as The Farnsworth Parabox, Roswell That Ends Well, Love and Rocket, War is the H-Word, Amazon Women in the Mood, The Bird-bot of Ice-Catraz, The Problem with Popplers, or The Day the Earth Stood Stupid), they have been very, very good.  The strongest, in my opinion, was The Beast with a  Billion Backs, in which David Cross (Arrested Development, Mr. Show) plays the alien Yivo who attempts to mate with every creature in the universe, while the weakest was Bender’s Game (as I found the extended fantasy sequence in the middle of the film to be a bit dull).

Into the Wild Green Yonder contains all the crazy zaniness, wild side-stories, and obscure sci-fi references that I have come to expect from the series.  The plot is almost beside the point, but I will attempt a summation.  The story begins on Mars, where the construction of a new Mars Vegas is disrupted by a band of eco-feminists.  Pretty soon Fry has been declared the savior of the universe by a bunch of telepaths wearing aluminum foil hats, Bender arouses the wrath of the mobster Don-Bot for making out with his wife, Leela goes under-cover with the feminists, and it all builds to a massive space-ship battle in the middle of an intergalactic mini-golf course.

The DVD is very solid — the animation is GORGEOUS, as always.  The story, despite some digressions, works well as a movie.  There are very few lulls between big laughs.  As for the ending — well, the original Futurama series was cancelled without any time to produce a final episode, so with this being the final DVD (for now, at least — hope always springs eternal that these will have proven profitable enough for more to be on the way!), fans wondered if we’d get some sort of “finale” to the over-all story.  Well, I think they got things just right.  The last scene is just terrific, with some nice closure that doesn’t close the door on further adventures.  And the very last shot?  Perfection.

If this is the end of Futurama then… [continued]

Last week I wrote about the terrific new soundtrack collection of music from the early episodes of Batman: The Animated Series.  That got me reminiscing about that amazing cartoon series, and so of course I busted out my DVDs to enjoy a few episodes.

Several few years back, I was rather shocked to discover that one of my good friends who dug comics had never gotten into Batman: TAS.  So I put together a collection for her of several of my favorite episodes — everything I could squeeze onto one VHS tape.  A few days ago I happened to stumble across the list of the episodes I’d selected (yes, I save everything), and I thought I’d share it with you all.  

So what follows are some of the best half-hours of animated television you’re ever going to find, and also among the most perfect non-comic book depictions of Batman.  If you’ve got these episodes on DVD or on tape, then dust ‘em off and give ‘em a watching!  If you don’t, then go out and find a friend who does!!  

1.  The Demon’s Quest , Parts I & II — Batman traces a criminal conspiracy across the globe, in an effort to locate a kidnapped Robin.  Liam Neeson was fine in Batman Begins, but if you want to see the REAL Ra’s Al Ghul, check out this version, voiced by the incomparable David Warner (Time Bandits, Star Trek VI).

2.  I Am The Night — A depressed and disillusioned Batman goes into an emotional tailspin when Commissioner Gordon is shot during a botched stake-out.  

3.  It’s Never Too Late — There are no supervillains to be found in this episode — it’s just a small, personal story about an aging mobster’s fall from grace.  This is why this series is awesome.  

4.  Robin’s Reckoning, Parts I & II — Perhaps the series’ finest hour.  Batman and Robin’s relationship is strained to the breaking point when the man responsible for the murder of Robin’s parents returns to Gotham City.

5.  Legends of the Dark Knight — This episode pays homage to some of the most iconic comic book depictions of Batman over the years, from Dick Sprang’s Batman of the ’50s to Frank Miller’s The Dark Knight Returns from the ’80s.  

6.  Mad Love — A disturbing examination of the twisted relationship between the Joker and his “hench-wench,” Harley Quinn.  Plus, Harley asks the Joker the question that comic fans have been wondering about for over 50 years.

7.  You Scratch My Back — I really enjoyed how, over the life of the series, we saw a noticeable passage of time.  This episode from… [continued]

In 1992, the groundbreaking Batman: The Animated Series premiered on Fox.  To this day, despite some mighty competition from the last two live-action Batman movies (especially the magnificent The Dark Knight), this show still stands as my favorite non-comic book depiction of Batman, the one that is most true to the character I have always pictured in my head.  Gorgeous animation combined with terrific stories that played Batman serious and scary made the show a knock-out right from the beginning (and ensured that the episodes would be as strong upon repeated viewings over 15 years later as they were when the show first launched).

But when considering all of the elements that made Batman: The Animated Series such a terrific success, we would be remiss in neglecting to mention the magnificent music.  In support of this point, La-La Land Records has recently released a phenomenal two-CD collection of the soundtrack from the show.  Unlike most cartoons of the time, which relied on a lot of recycled music, each episode of Batman: TAS had its own original score, performed by an orchestra.  The music was masterminded by Shirley Walker, ably assisted by a team that included Lolita Ritmanis and Michael McCuiston (all three of whom have a lot of work represented on this new CD collection).  Like the very best film score, the music from Batman: TAS was a critical element in creating the over-all tone of the piece, and it is strong enough to be tremendously enjoyable when listened to on its own.

The CD begins with a presentation of the Batman: TAS main title theme, which was composed by Danny Elfman (creating an interesting and catchy variation on his theme from Tim Burton’s Batman).  We are then presented with music from eleven notable episodes from the series’ early run.  

I am not a musician, so writing about music doesn’t come easily for me, but let me try to share how much I enjoyed listening to these CDs.  What is incredible is the way each episode has its own unique themes, composed to reflect the action and the characters (heroic and villainous) featured in that particular show.

Right away a stand-out is the work on the series’ first episode, “On Leather Wings,” in which Batman is blamed for crimes committed by a mysterious and monstrous Man-Bat creature.  The Batman: The Animated Series theme is wondrously woven in to the adventurous, exciting score that the conveys the energy and action of Batman’s vertiginous mid-air battle with the Man-Bat while establishing the series’ dark, brooding tone.

Other stand-outs for me include the creepy, almost child-like theme for Harvey Dent, tracking his descent into madness as he becomes the creature Two-Face in… [continued]

I am almost speechless.

For the past two and a half hours I had my brains pretty much blown out the back of my head by the The Dark Knight in IMAX.

This is a SPECTACULAR film.

It is dense. It is dazzling. And boy oh boy it is dark. It is SHOCKINGLY dark — not in terms of gore but in terms of how brutal it is towards all of the major characters in the film. I’ve heard people compare this sequel to The Empire Strikes Back (sort of the geek Mount Olympus in terms of a sequel), and one way the two are very much alike is that both films are not afraid to pretty much beat the hell out of “our heroes,” both physically and emotionally, for pretty much the entire running time.

This is a Batman story. And the best Batman stories, in my opinion, are the downbeat ones. But the Batman movies to this point, even the very excellent Batman Begins, have always seemed to be rather afraid to veer too far away from the happy ending. In the films we’ve seen previously, Bruce Wayne and co. always seem to be able to find fairly painless ways out, narratively, of the troubles they find themseves in. But not here. Time after time in The Dark Knight, our characters are faced with difficult situations and impossible choices, and no easy exit is presented to them. This makes for an extraordinarily compelling film.

There’s great action in this movie, no question. But this movie isn’t driven by action set pieces. It is driven by STORY, and by CHARACTER. The scenes that I can’t stop thinking about aren’t the car chases (they are awesome) or the fight scenes (they are bone-crunching). Its moments like the scene in which Batman and Jim Gordon must confront a deranged, hopeless man with a gun to the head of an innocent. Or Bruce Wayne’s dinner with Rachel Dawes and Harvey Dent. Or the Joker talking about his scars. Those are the scenes that are staying with me long after the lights went up in the theatre. And it is those sorts of intense emotional moments that propel the plot forward, rather than just fight scenes leading to more fight scenes.

Its a long movie, but I was on the edge of my seat right from the opening bank heist through to the absolutely note-perfect ending. Seeing the movie in huge, loud, glorious IMAX certainly enhanced that, but I simply cannot imagine anyone watching this movie in any sort of movie theatre not being intensely gripped by this film. I suppose some might complain that the film… [continued]

As an addendum to my list of my five favorite super-hero movies posted at the start of this week, here are three super-hero movies that I consider to be tremendously under-rated:

Superman Returns — I just don’t understand the almost universal apathy or even dislike towards Bryan Singer’s Superman relaunch. I love that this film has a somber, melancholy feel to it. I love that the story creates complicated character conflicts (the Clark-Lois-Superman-Richard love tangle) that aren’t easily resolved by the end of the film. (I was SHOCKED that Richard lived through the movie — and I really respect the filmmakers for not killing him off, thus providing an easy way for Lois and Clark/Superman to get back together.) I also love reverence the filmmakers showed for Richard Donner’s Superman movie — it really tickles me all the times the movie refers to Donner’s films, both visually (the design of the Fortress of Solitude, the use of Brando as Jor-El), and in the echoing of lines of dialogue in the script (such as Superman’s “statistically speaking, its still the safest way to travel,” and the reprise of Jor-El’s message to his son: “You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father… the son.”) The film has weaknesses — there’s not enough action, and Lex Luthor’s plot is pretty stupid. But watch again the plane crash sequence in which Superman reveals his return to the world, and tell me that’s not a magnificent moment of pop-fantasy magic. I’d love to get a sequel to this film to see where Singer takes the story from here, so I hope Warner gets around to making one.

Daredevil – Here’s another movie that I seem to be the only one who likes. As with Superman Returns, there are weaknesses to this film, like some embarassingly dodgy CGI effects. But there’s so much that I enjoy about this movie. I love how down-beat it is. I love how the filmmakers differentiate Daredevil from a more selflessly heroic character like Spider-Man. (This is epitomized by the scene on the rooftop between Matt Murdock/Daredevil and Elektra, in which he hears someone in trouble — but when Elektra asks him to stay with her, he does. Peter Parker would never make that choice — and I love that.) Speaking of Murdock/Daredevil, I know that its a popular sport to make fun of Ben Affleck, but I actually find him to be extremely watchable as Matt Murdock. And the rest of the cast is strong as well — Michael Clarke Duncan, Joe Pantoliano, Jennifer Garner,… [continued]