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Josh Reviews Live From New York: An Oral History of Saturday Night Live
July 28, 2010
Category: Book Reviews

My buddy Ethan has been pestering me to read this book for quite a while, and I am so happy that I finally followed his sage advice!

Live From New York is described on the cover as “an uncensored history of Saturday Night Live as told by its stars, writers, and guests.” The book is an oral history of SNL. There is almost no prose to be found in the entire 600-plus pages. Instead, the entire book is a collection of interviews with a dazzlingly dense array of the writers, performers, guest hosts, directors, producers, network executives, music coordinators, production assistants, and many, many more of the folks who worked on Saturday Night Live since the show’s inception in 1975.

Moving chronologically through the years, the books moves from one person’s recollections to another. The interviewed subjects’ comments weave in and out of one another as authors (perhaps they should almost be called editors) Tom Shales and James Andrew Miller piece together the story of the show.

And what a story. To say that Shales and Miller delved deep would be a dramatic understatement. It is staggering to see how many people they interviewed in putting together this book. The result is an incredibly revealing peek behind the curtain of how SNL got made – filled with stories of all the painful struggles and bitter disputes and moments of pure creative genius that have been going on at 30 Rock for the past 35 years.

I feel like I know a decent amount about SNL – I’ve read a lot about the show, and I’ve certainly seen many of the behind-the-scenes specials and retrospectives that have been made over the years (usually to mark one of the show’s anniversaries), but this book was filled to overflowing with stories both hilarious and heartbreaking that I had never heard before. It kicks off with a perfect opening line from Rosie Shuster (former writer for SNL, as well as former wife of Lorne Michaels) that sets the tone for the book perfectly – and things just go from there.

My personal favorite anecdote was Al Franken’s recollection of a terrible, terrible prank that he played on the women assembled for his wife’s baby shower. This page of the book had me literally howling with laughter.

The cover describes the book as uncensored, and it certainly is. Not so much in the sense of being raunchy (though it is at times!), but more to mean that this isn’t a white-washed, everyone-was-happy sort of corporate-approved history of the show. Quite the opposite – Shales and Miller seem to almost revel in all of the juicy stories of arguments and disputes and turmoil from over the years. And I loved every page of it.

I was also impressed with the book’s thoroughness. Yes, the most time, percentage-wise, is probably spent on the first five years of the show. But Shales and Miller don’t brush over any season of the show from 1975 until the book’s publication in 2003. They devote an enormous amount of pages to all of the different eras of the show, from the catastrophic Jean Doumanian season in 1976, to the Dick Ebersol years in which Eddie Murphy came to the fore, to the 1984-85 season in which SNL broke with its format to bring on already-framous stars like Billy Crystal, Martin Short, Christopher Guest, and Harry Shearer; to the early, tough years of Lorne Michael’s return to the show; to the years of Dana Carvey, Jon Lovitz, and Phil Hartman; to the more-recent seasons with Will Ferrell, Darell Hammond, Ana Gasteyer, Molly Shannon, and Cheri Oteri… and so many other stops in between.

The book is 600 pages long, and I could have easily kept reading for another 600 pages.

If you have any interest in television… if you have ever enjoyed Saturday Night Live… then Live From New York is not to be missed.

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Josh Reviews Inception!
July 26, 2010
Category: Movie Reviews

Thank goodness – finally a good movie! I was beginning to think that Toy Story 3 was going to be the only bright spot in this rather dismal summer of movies.

With Inception, writer/director Christopher Nolan reunites a great many members of his Batman ensemble (Michael Caine, Cillian Murphy, Ken Watanabe) with some terrific new faces (Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Hardy, and Marion Cotillard) to create a wonderfully mind-bending twisty-turny dream of a movie.

I went in knowing practically zero about the plot, which I think is the best way to approach Inception, so I’m going to avoid even a hint of a plot summary here. I will tell you that Mr. Nolan and his team have been able to create yet another tense, fun piece of summer-movie entertainment that is also sophisticated and adult. There’s some great action in Inception, but this isn’t one of those check-your-brain-at-the-door summer blockbusters.

I’ll be interested to see how well Inception holds up to multiple viewings. Will I remain as entranced by the layers-within-layers narrative structure, or will the movie become boring once I know how things unfold? It’s hard to say, but on this first pass I found the film’s M.C. Escher staircase-like structure to be a hoot.

Right now, Christopher Nolan’s greatest competition is with himself. He’s directed so many wonderful films that I adore with such fervor, that I can see it starting to become a challenge for his new films to stack up to his previous work. Indeed, underneath all the pyrotechnics and special-effects wizardry, Inception is actually a much simpler film that the brilliantly complex Memento. And, while exciting, it lacks the edge-of-your-seat-shit-is-going-DOWN intensity of The Dark Knight.

But that still leaves Inception as a superbly entertaining film. I must again praise the cast, who really are terrific across the board. I was particularly taken with Tom Hardy as the forger Eames. He brings a toughness and a humor to the role that I found very compelling. (Hard to believe this is the same actor who was in the abominable Star Trek: Nemesis.) I also really enjoyed Joseph Gordon-Levitt’s performance as Dom Cobb (Leonardo Dicaprio)’s loyal partner. I really wanted to know more about this guy!

It was fun seeing Ellen Page (Juno) in this type of film, though her character’s arc was probably the weakest part of the film. No fault of Ms. Page’s, but it seems to me that the film never really sold her friendship with Cobb. I didn’t really believe that he opened up to her about his history because he had connected with her – it just seemed like that was the point in the movie when the audience needed to learn more about what was really going on.

Quibbles aside, Inception is another winner from Christopher Nolan. Drew McWeeny over at hitfix compared Inception to Nolan’s Batman films, stating that they’re both about broken men trying (unsuccessfully) to fix things. I think that’s a fascinating way to look at these last several films that Mr. Nolan has created. I can’t wait to see what Nolan has next for us. (Dare I hope to dream that it will be The Dark Knight Returns?)

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Down in the Treme…
July 22, 2010
Category: Treme

In addition to watching the first two new episodes of Futurama last week, I had a chance to catch (a few weeks late) the final two episodes of Treme, the magnificent new HBO series by the fine folks behind The Wire (A.K.A. The greatest television series ever created).

When I wrote about the initial installment of Treme I was pretty dang high on the series, and I am pleased to say that, if anything, I think even MORE HIGHLY of the series now that its first ten-episode series has wrapped up.

It’s remarkable to me how fleshed out the vast ensemble of characters on the show have become over this first short (ten episodes) season.  There’s been more character development in these ten episodes than in the entire run of many TV shows.  Over the course of the season, each and every character on the show got their due, and I’m impressed and stunned at how attached I’ve become to these characters (even the less-than-noble ones!) in such a short time.

In my review of the premiere, I commented that the one cast-member who seemed to stick out to me was Steve Zahn’s full-of-himself, bumbling character Davis.  I found Davis to be annoyingly childish, and he felt out-of-place on the show.  Well, I stand corrected, because now at the end of the season I think that Davis is one of my favorite characters!  As noted above, this is due to the writers’ great work in exploring and deepening their characters over the course of the season.  The fine acting — on the part of Steve Zahn and the rest of the superb cast — doesn’t hurt, either!

As was always the case on The Wire, the writers of Treme have managed to tell a complete story over the course of the season.  The final episode, “I’ll Fly Away,” brings closure to a number of story-lines and character-arcs, while still leaving ENORMOUS untapped story-potential for future seasons to (hopefully) explore.

What else can I say?  The first season of Treme was heart-breaking and hilarious, and gripping from the first minute to the last.  The music of the show is extraordinary (and the show’s theme-song is my favorite since Firefly).  If you haven’t seen this show, go watch it now.  Me, I’ll be counting the days until season two…

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One Small Step For Man…
July 21, 2010

Forty-one years ago.  Amazing.

July 20th, 1969.

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